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Blog of the Hamon Arts Library

Bywaters Special Collections Artist Profile: Barbara Lucile Maples

Featured in the exhibition Texas Women Artists: Selections from Bywaters Special Collections, on the 2nd floor of Hamon Arts Library.

Barbara Lucile Maples (1912 – 1999) was born in Temple, Texas to Leslie Buford and Lucile Beatrice Hartrick Maples.  She graduated from Temple High School in 1929 and continued her studies at Mary-Hardin Baylor College in Belton, Texas where she received a Bachelor of Arts degree in 1933.  Six years later she received a Master of Arts degree from Teachers College, Columbia University in New York.  She taught in Temple and Fort Worth before joining the Dallas Independent School District where she taught elementary and secondary art from 1937 – 1964.  In 1940, she began teaching children’s art classes at the Dallas Museum of Fine Arts School, a post she maintained until 1954.  In 1965, Maples was appointed Assistant Professor of Art Education and in 1974, Associate Professor of Crafts Design at Southern Methodist University where she continued teaching until her retirement in 1978.

Continue reading “Bywaters Special Collections Artist Profile: Barbara Lucile Maples”

Collective Practice: Community Building Through Zines – Curatorial discussion of Selected Works, Part II

This blog post is a continuation of the Hawn Gallery’s series on the exhibition Collective Practice: Community Building Through Zines by Puro Chingón Collective. Below is a discussion of pieces in the exhibition, chosen by Curatorial fellow Emily Rueggeberg.

In addition to zines, Puro Chingón Collective also creates designer toys. Unlike toys found in commercial stores, designer toys are collectible objects made for display rather than play. The first resin cast series of designer toys created by the Collective, State of Tejas is from the Fiesta Series. While each of the member’s works are the same size and referencing their novelty aspect, the subject matter varies. Each member draws upon their own backgrounds and experiences, creating pieces that are uniquely their own, but still come together as a cohesive body of work.

Continue reading “Collective Practice: Community Building Through Zines – Curatorial discussion of Selected Works, Part II”

Food for Library Fines – Nov. 27th – Dec. 15th

During this holiday season, Hamon Arts and Fondren Libraries are again participating in the donation program, Food for Library Fines. Students, faculty and staff at SMU may bring food donations and receive $2 credit for existing library fines for each can or package of non-perishable food item.

This program only applies to Hamon and Fondren materials, and this waiver cannot be applied to lost book replacement or processing fees.

Bywaters Special Collections Artist Profile: Mary Frances Doyle

Featured in the exhibition Texas Women Artists: Selections from Bywaters Special Collections, on the 2nd floor of Hamon Arts Library.

Mary Frances Doyle (1904 – 2000) was known as both a dedicated art teacher and an outstanding printmaker, particularly with the silk-screen, or serigraph, technique. Doyle was born in Stephenville, Texas to Davis K. Doyle, a Texas newspaperman, and his wife. Doyle lived most of her adult life with her parents in Arlington, Texas. In 1930 she earned her Bachelors of Art degree from Southwest Texas State Teachers’ College in San Marcos, Texas. She liked to recall one of her fellow classmates, Lyndon Baines Johnson, also working his way through school, sweeping out the classroom where she taught a demonstration kindergarten group. The future US president would ask her opinion on particular political issues and then listen to her views while continuing to swing his broom. In 1939 Doyle moved to Teachers College, Columbia University, in New York, where she studied with Charles J. Martin, and in 1948 earned a Master of Arts degree from Texas Woman’s University in Denton, Texas. She also studied with distinguished Texas artists including Otis Dozier and Octavio Medellin at the Dallas Museum of Fine Arts school, and Xavier Gonzales at Sul Ross State University in Alpine, Texas.

In 1935 Doyle began a 37-year long teaching career in the Dallas Independent School District teaching art at the Alamo, Thomas Edison, and City Park schools. Dedicated to her career and to her students, Doyle’s strove to develop the artistic ability of each child regardless of financial background. In addition, she was active in the Dallas Art Education Club, serving as its president during the late 1940s and early 1950s. Doyle was instrumental in helping to organize children’s exhibitions at the Dallas Museum of Fine Arts where she worked as an instructor at various times during the 1940s through the early 1970s. When not teaching or working on her art, Doyle enjoyed collecting Latin American crafts.

A prolific artist, mainly as a printmaker, Doyle was active in exhibiting her work in galleries, museums, and with the Texas Printmakers organization (formerly the Printmakers Guild). In 1940 her oil painting Water Front was included in the Eleventh Annual Allied Arts Exhibition at the Dallas Museum of Fine Arts, now the Dallas Museum of Art. During the 1950s Doyle’s prints were accepted into major exhibitions. In 1955 her print Texas Oranges was exhibited in the Audubon Artists 13th Annual Exhibition at the National Academy Galleries in New York. Two of her serigraphs were accepted in the Southwestern Exhibition of Prints and Drawings exhibitions sponsored by the Dallas Print Society at the Dallas Museum of Fine Arts: Honeydew Melon (6th Southwestern Exhibition of Prints and Drawings, 1956) and Cactus in Bloom (9th Southwestern Exhibition of Prints and Drawings, 1959). In 1958 Cactus in Bloom won “Best Serigraph in Show” at the Print Fair conducted by Creative Graphics at Burr Galleries in New York City and was accepted into the Boston Printmakers 11th Annual Print Exhibition at the Museum of Fine Arts in Boston. In the same year she had a solo exhibition sponsored by the Texas Fine Arts Association at the Laguna Gloria Art Museum in Austin, Texas, and a year later was included in the show Postwar Prints: 1946 – 1959 at the Dallas Museum for Contemporary Arts. In 1960 Doyle was again accepted into the Boston Printmakers’ 13th Annual Print Exhibition with her serigraph Twin Mountains. Doyle’s work was represented from the 1950s through the 1970s in distinguished Dallas galleries including the Black Tulip Gallery, Downtown Galleries, and Cushing Galleries. In February, 1960, her work was accepted into the Philadelphia Second Annual Print Fair. Thirty years later Mary Doyle and her contemporaries were honored in the exhibition The Texas Printmakers, at the Meadows Museum, Southern Methodist University. Mary Doyle died on Sept. 5, 2000 in Denton, Texas.


Image: Century Plant, Serigraph, 1961, original dimensions (image):  29 ¾” (H) x 11” (W)

Courtesy of Mary Doyle Collection, Bywaters Special Collections, Hamon Arts Library, Southern Methodist University

 

 

 

 

 

 

Remixing the News – KERA’s Frame of Mind & the Jones Film & Video Collection event

Join the G. William Jones Film & Video Collection for an advanced screening of an upcoming episode of KERA’s Frame of Mind – Remixing the News on Tuesday, November 14th at 7:30 pm in the O’Donnell Hall, Owen Arts Center, SMU. This long-running, local series features a collection of independent documentaries and shorts highlighting Texas-based artists and filmmakers working just outside of the mainstream. The program, now in its 25th year, is produced, curated, and hosted by artistic director for the Video Association of Dallas, Bart Weiss, and it offers a platform to creators whose work and vision might never be seen.

This particular episode of Frame of Mind features work by local artists, including Moving Image Curator for the Jones Collection, Jeremy Spracklen, and former adjunct instructor at SMU, Michael Morris. Culled from over 100 hours of 16mm footage from the Jones Collection’s WFAA Newsfilm archive, these shorts reappropriate, recontextualize, and deconstruct media images of the 1960s and 1970s as a way to not only understand the radical cultural and historical shifts of this tumultuous era, but also to spotlight how the media processes and presents these changes.  

Following the screening, Weiss will host a Q & A with several of the contributing artists to discuss their work.

Films and filmmakers include:

2,000 Hours in Dallas by Jeremy Spracklen

The Story of Jane X by Christian Vasquez

Dallas Circle by Justin Wilson

Lawmen & Cowpokes by Gordon K. Smith

History Lessons by Steve Baker

Beyond 10 by Carmen Menza

Glass by Madison McMakin 

Poofs are New by Blaine Dunlap

Divided by Michael Thomas & Dakota Ford

The Night in the Last Branches by Michael Alexander Morris

Echoes of the Past by Jeremy Spracklen


Blog post: Courtesy of Jeremy Spracklen, Moving Image Curator, G. William Jones Film & Video Collection, Hamon Arts Library, SMU
Image: film still of Spracklen’s Echoes of the Past, courtesy of Jeremy Spracklen

Collective Practice: Community Building Through Zines – Curatorial discussion of Selected Works

The Hawn Gallery’s current exhibition, Collective Practice: Community Building Through Zines, had a brisk turnout at its opening reception on October 20th and continues to draw many visitors to its installation. At the opening, members of Puro Chingón Collective – Claudia Zapata, James Huizar, and Claudia Aparicio-Gamundi – discussed the origin of their zine, Chingozine, and provided some context for their work. Curatorial Fellow for the Hawn Gallery, Emily Rueggeberg, selected pieces from the exhibition for a more in-depth discussion of these works.

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New publication available in SMU Scholar: Eastside Landmark

John Chávez, the SMU History Department and the Central University Libraries are especially gratified to announce that Professor Chávez’ book, Eastside Landmark: A History of the East Los Angeles Community Union, 1968-1993, is now available entirely open access in SMU Scholar. This is now the second selection in SMU Scholar’s eBooks section, including Ellen Buie Niewyk’s Jerry Bywaters: Lone Star Print Maker.

The effort taken to bring Professor Chávez’ book to a wider audience, and to grant it open access, is a long and winding story that includes multiple librarians, multiple publisher responses and many emails. In the end, though, we successfully negotiated a contract with Stanford University Press to publish the Professor’s book.

An excerpt from Professor Chávez’s comments on the book echo the New cities/Future Ruins initiative launched at SMU in 2016.

In this new open-access format the book should reach a new audience interested in a precursor to the new urbanism. Despite its subtitle, A History of the East Los Angeles Community Union, the book should be read as the history of an innovative business, rather than a labor union. As a community development corporation, this institution combined the insights of liberals and conservatives to help revive Mexican-American and other working-class neighborhoods through the dynamic efforts of both trade unionists and business people. The work thus carries a pragmatic message for cooperative progress in twenty-first-century America.


Blog post courtesy of the late Dillon Wackerman, former Digital Scholarship Librarian, SMU and Professor John Chávez, Clements Department of History, SMU.

 

Bywaters Special Collections Artist Profile: Blanche McVeigh

Featured in the exhibition Texas Women Artists: Selections from Bywaters Special Collections, on the 2nd floor of Hamon Arts Library.

Blanche McVeigh was born in St. Charles, Missouri in 1895 and moved to Fort Worth as a child.  She received her art training at the St. Louis School of Fine Arts, the Art Institute of Chicago, the Pennsylvania Academy of Fine Arts, and the Art Students League in New York.  McVeigh spent a year in Europe where she became interested in the medium of aquatint, a printmaking technique related to engraving and etching that allows an artist to create variations of shading within the print image.

 

McVeigh spent her adult life in Fort Worth where she taught figure drawing and printmaking. In 1932 she joined Evaline Sellors and Wade Jolley, both professional artists, in establishing the Fort Worth School of Fine Arts in the Little Theatre building behind the Women’s Club.  McVeigh and Sellors also helped found the Fort Worth Artists Guild, the first institution to display work by local artists.  McVeigh was also a member of the Printmakers Guild and in 1951 was elected to serve as the organization’s president.

McVeigh received awards for her work from the Dallas Print Club, the Connecticut Academy of Fine Arts, the Texas Fine Arts Association, and the Southern States Art League.  In 1944 her aquatint Decatur Courthouse was awarded the Neiman-Marcus and Dallas Print Society Purchase Prize of $100 in the Fourth Annual Texas Print Exhibition at the Dallas Museum of Fine Arts.  The Library of Congress also purchased Decatur Courthouse for its permanent collection.  Her work is located in other national collections:  Carnegie Institute, Princeton University, Pennsylvania Academy of Fine Arts, and Smithsonian Institution.

Blanche McVeigh died in Fort Worth on June 1, 1970.


[1] Farmer, David.  “The Printmakers Guild and Women Printmakers in Texas 1939 – 1965,” Prints and Printmakers of Texas:  Proceedings of the Twentieth Annual North American Print Conference, (Austin:  Texas State Historical Association, 1997), p. 124.

[1] Handbook of Texas Online, Linda Peterson, “McVeigh, Blanche,” accessed July 27, 2017, http://www.tshaonline.org/handbook/online/articles/fmcbf

Image: Blanche McVeigh, ca. early 1920s, original dimensions:  8” (H) x 5” (W)
Courtesy of The Jerry Bywaters Collection on Art of the Southwest, Bywaters Special Collections, Hamon Arts Library, Southern Methodist University

Continue reading “Bywaters Special Collections Artist Profile: Blanche McVeigh”

Hawn Gallery Presents: Collective Practice: Community Building through Zines – Works by Puro Chingón Collective

The Hawn Gallery presents

Collective Practice: Community Building Through Zines
Works by Puro Chingón Collective

On view: October 20 – December 15, 2017

 Opening Reception: Friday, October 20th, 5-7pm
at the Hawn Gallery, located in the Hamon Arts Library at SMU

Artists Claudia Zapata, James Huizar, and Claudia Aparicio-Gamundi will conduct a gallery talk at the opening at 5:45 p.m.

Puro Chingón Collective is comprised of James Huizar, Claudia Zapata and Claudia Aparicio-Gamundi. The Collective formed after they began publishing their zine, ChingoZine, a publication dedicated to showing works by Latinx artists. Zines are short for magazines, but rather than ones seen on newsstands, they are noncommercial, homemade, or online publications containing subject matter that reflects the community in which they are created. The Collective’s practice is one rooted in social practice and engages with people in public spaces through murals, film screenings, and parties. The public events are largely hosted in Austin and focus on celebrating Latinx arts and culture through film screenings and interactive events. During the film events, members are given props so they can participate with movies such as Mi Vida Loca, Y Tu Mama Tambien and Selena.

Continue reading “Hawn Gallery Presents: Collective Practice: Community Building through Zines – Works by Puro Chingón Collective”

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