Search

Blog of the Hamon Arts Library

Tag

Exhibitions

Pictorial: R3clamation: Routes & Roots – exhibition opening Oct. 28th


Images by Mariza Morin

Hawn Gallery presents R3clamation: Routes & Roots, An Installation by Basil Kincaid

The Hawn Gallery presents:

R3clamation: Routes & Roots, An Installation by Basil Kincaid

[If the map to freedom was etched on the inside of your forehead, would you carve back the skin and follow the route to your roots?]

On view October 28th – December 11th, 2016

Opening Reception: Friday, October 28th from 6-8 p.m. at the Hawn Gallery, Hamon Arts Library Continue reading “Hawn Gallery presents R3clamation: Routes & Roots, An Installation by Basil Kincaid”

GCI online exhibition – Octavio Medellin: Maya-Toltec Temples and Carvings

The Bywaters Special Collections staff are happy to announce that SMU’s Central University Libraries is now a part of the Google Cultural Institute. BSC staff, Ellen Buie Niewyk, curated the first GCI exhibition with archivist, Emily George Grubbs. Octavio Medellin: Maya-Toltec Temples and Carvings, 1938 is an exhibition curated from the holdings of photographs and documents of the artist from Bywaters Special Collections. Take a look!


Thank you to Emily George Grubbs, Archivist, Bywaters Special Collections, for this post!

Image: Courtesy of Octavio Medellin Art work and Papers, Bywaters Special Collections, Hamon Arts Library, Southern Methodist University

DeForrest Judd, Sketches of Texas Regions – Big Bend, Caddo Lake, Gulf Coast

DeForrest H. Judd, a native of Hartsgrove, Ohio, lived most of his life in Dallas working as an artist and teaching at Southern Methodist University.  Judd’s keen observation of everyday life and nature influenced him to paint, draw, and print his interpretations onto canvas, paper, and copper enamels.  As a professional artist and teacher, Judd taught numerous students at SMU and summer workshops in Arkansas, New Mexico, and Texas. Continue reading “DeForrest Judd, Sketches of Texas Regions – Big Bend, Caddo Lake, Gulf Coast”

Meet Georgia Erger, Curatorial Fellow for the Hawn Gallery at Hamon

Georgia Erger is Hamon’s first Curatorial Fellow for the Hawn Gallery. She joined the staff last month at the beginning of July 2016. As Curatorial Fellow, she is responsible for much of the work in the Hawn Gallery, including development and installation of three exhibitions for the fall and spring semesters, publicity, and archival management of the gallery’s exhibition history. Previous to coming to Hamon, Georgia was Program Assistant, John B. Aird Gallery, and the Windgate Postgraduate Intern in Museum Studies at the Baum Gallery of Fine Art, University of Central Arkansas. Georgia completed her BA in art history at the University of Toronto, University College, and her MA at the Courtauld Institute of Art, London. We are thrilled to have her. Let’s get to know her better… Continue reading “Meet Georgia Erger, Curatorial Fellow for the Hawn Gallery at Hamon”

Carlotta Corpron: Photography and Light

Artist and educator, Carlotta Corpron (1901-1988) is the subject of one of the current exhibitions at the Meadows Museum.  Process and Innovation:  Carlotta Corpron and Janet Turner, on view through June 5, 2016, presents the art of two women who worked as both artists and professors at separate Texan universities during the twentieth century.   Highly experimental, both artists would come into their maturity of style in their respective media of photography and printmaking while teaching in Texas. Continue reading “Carlotta Corpron: Photography and Light”

Travels in Ithaca: A Guided Tour

Charybdis
Charybdis (EMDR Visual Aid), Oil on canvas, 40 x 40 in.

The art exhibition Scott Gleeson: Travels in Ithaca charts an uncertain and perilous itinerary through the spaces of the Hamon Arts Library Foyer, Lobby, and the Mildred Hawn Gallery, calling viewers’ attention to the social costs of warfare as seen through the lens of Homeric myth. Each of the twelve graphic works in this site-specific installation reference significant events in the life of Odysseus leading up to his return to Ithaca and eventual murder at the hands of his illegitimate son Telegonus. Together, the twelve works constitute a theoretical proposition about one possible role abstract image making or architectural ornament might play if creative professionals chose to address veterans’ issues in their practices. The overarching question proposed by the exhibit is, “What is the social role or responsibility of the artist in responding to the social costs of war, promoting cultural memory of historical events, and facilitating the healing process for veterans and communities?” To address this question Travels in Ithaca imagines a very specific problem with psychotraumatology literature on the Eye Movement Desensitization and Reprocessing therapy method: “How shall patients benefit from therapy in the absence of the therapist given the problems with long treatment delays in the VA healthcare system?” Travels in Ithaca posits deploying cheap, modular architectural ornamentation and graphic imagery designed to facilitate the self-administration of the EMDR method within domestic or institutional interiors.

Continue reading “Travels in Ithaca: A Guided Tour”

Janet Turner: Texas Printmaker

The current exhibition at Meadows Museum at SMU, Process and Innovation: Carlotta Corpron and Janet Turner, is a welcome reminder of earlier showings of Janet Turner’s prints in Dallas and elsewhere in Texas.  Don’t miss Turner’s remarkable prints now on loan from Hamon’s Bywaters Special Collections, along with other private lenders, including Jack and Beverly Wilgus -donors who have generously pledged their historic photographic collection to DeGolyer Library. Images by Beverly Wilgus, a former student of Corpron, will also be on view.

Continue reading “Janet Turner: Texas Printmaker”

Panel Discussion – Social Costs of War: Trauma and the Trials of Homecoming

 

In conjunction with Hamon’s spring 2016 exhibition, Scott Gleeson: Travels in Ithaca, a site-specific art installation in the Library’s Mildred Hawn Gallery and Hamon lobby, the panel discussion, Social Costs of War: Trauma and the Trials of Homecoming, raises awareness of the sociological implications of war since the terror attacks of September 11, 2001. Experts in veteran advocacy, brain trauma studies, and combat veterans will deliver 10-minute talks followed by a discussion. Local panel participants include: Donna Cranston, Executive Director of Defenders of Freedom (DoF); a US Combat Veteran and DoF client; Christina (Tina) Bass, M.S., LPC, Psychotherapist and PTSD research assistant, UTDallas Center for Brain Health; The panel moderators are Dr. Alicia Meuret, Associate Professor of Psychology and Director of the Anxiety and Depression Research Center, Dedman College, SMU; and Scott Gleeson ’09, visual artist.

The panel, organized in conjunction with Scott Gleeson: Travels In Ithaca, is held as part of the Library’s 25th anniversary celebration.

Blog at WordPress.com.

Up ↑