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Hawn Gallery

Pictorial: R3clamation: Routes & Roots – exhibition opening Oct. 28th


Images by Mariza Morin

Meet Georgia Erger, Curatorial Fellow for the Hawn Gallery at Hamon

Georgia Erger is Hamon’s first Curatorial Fellow for the Hawn Gallery. She joined the staff last month at the beginning of July 2016. As Curatorial Fellow, she is responsible for much of the work in the Hawn Gallery, including development and installation of three exhibitions for the fall and spring semesters, publicity, and archival management of the gallery’s exhibition history. Previous to coming to Hamon, Georgia was Program Assistant, John B. Aird Gallery, and the Windgate Postgraduate Intern in Museum Studies at the Baum Gallery of Fine Art, University of Central Arkansas. Georgia completed her BA in art history at the University of Toronto, University College, and her MA at the Courtauld Institute of Art, London. We are thrilled to have her. Let’s get to know her better… Continue reading “Meet Georgia Erger, Curatorial Fellow for the Hawn Gallery at Hamon”

Travels in Ithaca: A Guided Tour

Charybdis
Charybdis (EMDR Visual Aid), Oil on canvas, 40 x 40 in.

The art exhibition Scott Gleeson: Travels in Ithaca charts an uncertain and perilous itinerary through the spaces of the Hamon Arts Library Foyer, Lobby, and the Mildred Hawn Gallery, calling viewers’ attention to the social costs of warfare as seen through the lens of Homeric myth. Each of the twelve graphic works in this site-specific installation reference significant events in the life of Odysseus leading up to his return to Ithaca and eventual murder at the hands of his illegitimate son Telegonus. Together, the twelve works constitute a theoretical proposition about one possible role abstract image making or architectural ornament might play if creative professionals chose to address veterans’ issues in their practices. The overarching question proposed by the exhibit is, “What is the social role or responsibility of the artist in responding to the social costs of war, promoting cultural memory of historical events, and facilitating the healing process for veterans and communities?” To address this question Travels in Ithaca imagines a very specific problem with psychotraumatology literature on the Eye Movement Desensitization and Reprocessing therapy method: “How shall patients benefit from therapy in the absence of the therapist given the problems with long treatment delays in the VA healthcare system?” Travels in Ithaca posits deploying cheap, modular architectural ornamentation and graphic imagery designed to facilitate the self-administration of the EMDR method within domestic or institutional interiors.

Continue reading “Travels in Ithaca: A Guided Tour”

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